Antigone by Sophocles
*contains spoilers*
Sophocles’s Antigone begins with the late Oedipus’s two daughters, the titular Antigone and her sister, Ismene, deep in conflict. At the heart of the conflict lies one of the piece’s main themes: the law of the gods versus the law of man, which erupts as Creon, King of Thebes, decrees that Polyneices, shamed brother of the sisters Antigone and Ismene, shall not receive the proper burial rights and shall, instead, have his carrion picked apart by “hungry birds of prey”. Antigone attempts to persuade the man-law abiding Ismene to aid her in burying the body of their brother, so as to respect the law of the gods, but is unsuccessful and, as she attempts to shuffle the dust over her brother’s rotting corpse alone is caught, arrested and sentenced to die in isolation in a cave by order of Creon.
It is here that the blind seer Teiresias makes his entrance. Teiresias, speaking on behalf of the god, Phoebus Apollo, urges Creon to observe the proper rights of the law of the gods, regardless of Polyneices’s shameful and traitorous attack on Thebes. In an act of hubris, however, as is typical in the tragedies of Sophocles, Creon simply cannot accept that his fate should be determined by the will of the gods, and so does not relent from his initial decisions to allow Polyneice’s body to be picked apart by exposure and to punish Antigone for attempting to honour her brother in the eyes of the gods. Here we see Sophocles address the supposition that, if the fate of man is indeed determined by the will of the gods, what use is the concept of free will – and why does the law of man really matter? Sophocles shapes the positing of this notion in the downfall of Creos, as Antigone commits suicide before he can change his course and secure her release, and his own son and wife, Haemon and Eurydice respectively, take their lives also; “Lead me away, a rash, a misguided / man, / Whose blindness has killed a wife and a son.”
Sophocles carries over this notion of blindness into Oedipus the King, which was supposedly written ten years after Antigone but actually concerns events that precede the events of this particular text, and also includes the blind prophet Teiresias (as do many of the Greek texts, The Odyssey included – though in that Homeric piece in the form of a ghost), who plays a once more pivotal role. Antigone herself even makes mention of her father (and brother) Oedipus, as she declares “My father’s sin! That is the source of all / my anguish”. Oedipus is also clearly at the will and humour of the gods, as he unknowingly fulfils his father’s given prophecy in slaughtering his father, Laius King of Thebes, and bears children with his own mother. The real tragedy is, of course, that man is left merely to consider “Of happiness, far the greatest part / Is wisdom, and reverence towards the gods.” The only real act of human power on display, one discerns, is the act of taking one’s own life. Tragedy, indeed.
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